About the Artist
About the Artist
ARTIST'S STATEMENT
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I'm intrigued about what makes a place or thing magical, and I'm learning to identify and use different elements of this hidden domain. I work in three dimensions and a variety of styles, the scales ranging from smaller wall pieces and sculptures to the architectural. Whether I'm creating a wall hanging or a waterfall, I'm intuitively drawn to the same motifs and inspired by the same sources.
I live in a pantheistic, pan-cultural world in which things have a life of their own - they express deeper meaning and are not simply what they seem. Places I've lived - Spain, Morocco, Turkey, England, Venezuela, the Texas Hill Country - have profoundly influenced me (some at a preverbal level), their cultural biases intermingling freely inside me.
Nature provides more springboards: textures, color gradations, cloudscapes, layered panoramas, smoke, waterways, the more colorful animals and their surface patterns (tropical fish and butterflies are favorites), stone, stalactites, flowers, bones.
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I use a variety of mutually supporting techniques to impact the viewer or user: the cumulative layering of elements that requires one to shift one's viewpoint and "fill in" to complete the image; the favoring of additive, incremental media (mosaics, beads, stone, stained glass); pointillistic color blending; the relating and interplaying of metallic, flat opaque, translucent, and shimmering mirror colors; hints of exotic times and places; the employment of humor and childish playfulness; the use of biomorphic forms and sensual curves; the application of rich textures and aggressive color mixes; the sculpting of stratified spaces; the planning of unexpected discoveries and juxtapositions. The end result is an accessibility, an opulence, and a high level of engagement that has both an immediate and a time-release effect.
This discovery over time is paramount. I am challenged to keep each sculpture and each installation open-ended, ephemeral, ever-changing. Isucceed as an artist to the degree that the viewer or user is wonder-struck, transported to other realms, or finds that something has more going on - more uses, more dimensions, more delight - than was first suspected. Always more...
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Joy. Delight. Reverence. Awe. Although often elusive in our daily lives, these are modes of being inherent in each of us. You’ve felt them all, particularly when you were a child. They’re magic lenses through which you can perceive and transform the world. And if, in the presence of my work you’re able to to embody any of these states, then I will have succeeded as an artist, no matter what media, intentions, or techniques I happened to have used.
My art is the outgrowth of exploring unusual combinations of materials and methodologies. Some of them are time-honored--glass seed beads, wrought iron, stained glass; some are modern--heat-treated Plexiglas mirror, clear casting resin, LEDs. Occasionally I’ll appropriate found objects if I think their architecture can be quietly submerged into an assemblage.
I use a variety of mutually supporting means to gain and hold your attention: the manipulation of rich textures, aggressive chromatic combinations, pointilism, and brilliance; hints of the exotic and the ancient; the favoring of additive, incremental, time-intensive media; the interplay of metallic, translucent, shimmering, and flat opaque colors; the influences of sacred iconography and archetypal imagery; the use of biomorphic forms and sensual curves; the employment of juxtaposed materials and unexpected discoveries; the distillation of elements from my wildly multicultural childhood; and the cumulative layering of elements that requires you to shift your viewpoint and “fill in” to complete an image.
The end result is visceral, opulent, and unexpected. You’re getting a body/soul vibration rather than an intellectual concept. There’s an accessibility and high level of physical engagement which have both an immediate and a time-release effect.
These are not so much exotic flowers to seduce you as they are stepping stones, jumping-off places into the mystery and sacred beauty of this immense universe. References, even, to your own inner magnificence. The Sufi poet Hafiz spoke the truth when he said “art is the conversation between lovers”.
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SKILLS, CAPABILITIES, AND EXPERIENCE
Since 1973 Talbot has owned and operated various incarnations of Neverland Designs, with three overlapping focus areas: fine art in 3-D, mixing media such as ferrocement, mosaics, glass, metals, beads, plastics, and ceramics; the design and construction of children's environments; and exterior design, including decorative masonry and waterscapes.
A hands-on artist/designer/builder, Talbot is at home with small and large-scale media, in both public and private domains. He understands the workings of a business, and has worked closely with architects, artists, landscapers, media specialists, educators, and contractors. He's run work crews ranging from paid craftsmen to unskilled volunteers, sometimes in groups of over 100. He's fluent in Spanish, computer-literate, and proficient in the handling of construction equipment. He's been involved in personal growth work since 1985. Raised military, Talbot had lived on five continents by the time he reached college, and to date has lived in or visited 33 countries, and as many states in the U.S.
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GROUP EXHIBITIONS
2024 AVAA New Works Show, Austin Art Space Studio & Gallery, Austin TX.
2019 Fortlandia, Lady Bird Johnson Wildflower Center (People’s Choice Award), Austin TX.
Materials: Hard & Soft, international juried exhibition w/ catalogue, Greater Denton Arts Council, Denton TX.
Magic of Life, Art Emporium, Austin TX.
2018 AVAA New Works Show, Austin Art Space Studio & Gallery, Austin TX..
2017 AVAA 12BUY12 Show, Austin Art Space Studio & Gallery, Austin TX.
2013 People’s Gallery, invitational exhibition at Austin City Hall, Austin TX.
2012 Material Appeal, invitational exhibition at The Gallery at MUSEO, Austin TX.
2011 For The Love Of Art, invitational exhibition at the Austin Art Space Gallery, Austin TX.
Big As Texas, invitational exhibition at the Mexican American Cultural Center by Texas Museum of
Fiber Arts (3rd Place), Austin TX.
2009 Big As Texas, invitational exhibition at the Texas State Capitol by Texas Museum of Fiber Arts
(2nd Place), Austin TX.
Texas Biennial, invitational exhibition at Women and Their Works Gallery, Austin TX.
2008 Bedazzled, an invitational exhibition at Lux Center for the Arts, Lincoln NE.
2007 2nd Annual Bead Invitational, invitational exhibition at the PISMO Gallery, Denver CO.
Elemental, invitational exhibition at the Kane Marie Galleries, Virginia Beach, VA.
2006 Un.Bead.lievable, invitational exhibition at Barnstone Gallery, Philadelphia PA.
2005 Represented by Shidoni Gallery, Santa Fe NM.
Materials: Hard & Soft, international juried exhibition w/ catalogue, Greater Denton Arts Council, Denton TX.
2002 Bead International 2002, invitational international juried exhibition w/ catalogue, Southeastern Ohio
Cultural Arts Center, Athens OH.
The Audacious Bead, invitational exhibition at The Bead Museum, Washington DC.
2001 The Austin Art Scene, invitational exhibition by the Austin Coalition of Artists, Austin TX.
Real Art for Real People, invitational exhibition by Texas Society of Sculptors, Austin TX.
2000 Bead International 2000, Southeastern Ohio Cultural Arts Center (Juror’s Award), Athens OH.
Time Capsule, invitational exhibition by Artists’ Coalition of Austin, Austin TX.
1999 The Nature of Things, invitational exhibit by The Creative Arts Society (People’s Choice & Best of Show), Austin TX.
1997 The Beaded Object, invitational international juried exhibition w/ catalogue, Southern Highland Craft Guild, Ashville NC.
1994 Architectural Artisans: Craft in Building, invitational exhibition, University of Texas Architecture Dept., Austin TX.
1980 Texas Designer/Craftsmen Exhibition, SW Craftsman Gallery, San Antonio TX.
1977 Alumni Art Exhibition, Rice University (People’s Choice Award), Houston TX.
PUBLIC ART
1979-2021 Casa Neverlandia, art house, studio, and gallery (work in progress), Austin TX.
2022 Magic Portal, 9’ x 20’ x 11’ interactive ferrocement sculptures in Stacy Park, Austin TX.
2021 Fairy Pavilion, 14’ x 60’ x 23’ interactive children’s play structure, Walnut Creek Park, Austin TX.
2019 Fortlandia, play structure at Lady Bird Johnson Wildflower Center (People’s Choice Award), Austin TX.
2015 Children’s Playscape, 16’ x 42’ x 77’, Isla Morada FL.
2012 CanCan Nebula, three 8’ x 3’ mosaic exterior panels for Bouldin Café, Austin TX.
2011 Your Essential Magnificence, 7’ x 14’ x 5’ mosaic-clad sculpture for the City of Austin, Austin TX.
2006 Transition, four 2’ x 66’ mosaic panels, Austin Bergstrom International Airport, Austin TX.
2004 Mosaic-clad ferrocement Sculpture, 9’ x 3’ x 2’, Nicholas Dawson Park, Austin TX.
Children’s Play Castle, 26’ x 57’ x 57,’ Memorial City Mall, Houston TX.
2000 International Herb Garden Sculpture, 10’ x 26’ x 6’, Austin Green Classroom, Austin TX.
1981 Folk Toy interactive 2-story toy store entrance, masonry exterior, pond, & landscape, Austin TX.
SOLO EXHIBITIONS
2024 ICOSA Gallery, "Window Dressing", Austin TX.
2007 Dell Jewish Community Center, Austin TX.
2005 Houston Contemporary Crafts Center’s Asher Gallery, Houston TX.
2004 Origins, Santa Fe, NM.
2003 Driskill Hotel, Austin, TX.
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HONORS AND AWARDS
2019 People’s Choice, Fortlandia, Lady Bird Johnson Wildflower Center, Austin TX.
2018 1st Place, Art In Public Places commission for Stacy Park Project, Austin TX
2012 One of 50 nation-wide awards, Americans for the Arts Public Art Network Year in Review, Washington DC.
2011 3rd Place, Texas Museum of Fiber Arts Juried Exhibition, Austin TX.
2010 2nd Place, Texas Museum of Fiber Arts Juried Exhibition, Austin TX.
2009 3rd Place, Natural Home Magazine’s “House of the Decade”, Loveland CO.
2006 2nd Place, Art In Public Places artist, Twin Oaks Library Project, Austin TX.
2005 1st Place, Art In Public Places artist, Bergstrom International Airport Pedestrian Bridges Project, Austin TX.
2004 People’s Choice, Austin Visual Arts Association Membership Show, Austin TX.
People’s Choice, Best of Show, The Nature of Things, Creative Arts Society, Austin.
2000 Juror’s Award, Bead International 2000, Southeastern Ohio Cultural Arts Center, Athens OH.
1997 1st Place, Art In Public Places artist, Millennium Center Sculpture Competition, Austin TX.
1977 People’s Choice Award Rice Alumni Art Exhibition, Rice University, Houston.
WORKSHOPS, CLASSES, TOURS, AND MEDIA PRESENTATIONS
2019 Taught hands-on ferrocement sculpture classes at Neverland Design Studios, Austin.
2018 Casa Neverlandia part of Austin Weird Homes Tour.
2016 “Magic In Our Environments”, PPt lecture for Creative Mornings, Austin.
Casa Neverlandia one of four featured destinations, West Tour, Austin.
2015 Hands-on ferrocement sculpture class, Blue Moon Glassworks, Austin.
Casa Neverlandia featured VIP House, Austin Weird Homes Tour.
2013 Lecture with PPt. presentation & art display, Texas Museum of Fiber Arts, Austin.
2012 “Overview of the Last 25 Years”, PPt lecture, The People’s Gallery, Austin City Hall.
2011 Casa Neverlandia hosts Austin Mosaic Guild tour.
2008 Casa Neverlandia hosts Houston’s The Orange Show Foundation tour, Austin.
2005 Artist’s home/studio complex, Casa Neverlandia included on Americans for the Arts National
Conference Art Homes Tour, Austin.
2004 “Magical Places, Magical Things”, PPt show/lecture at LAMP, Univ. of Texas, Austin.
Casa Neverlandia part of Texas Council for the Arts “Keep Austin Weird” Tour.
“Magical Places”, slide show/lecture at American Institute of Architects ongoing education
symposium, Austin.
2000 Casa Neverlandia part of Austin Museum of Fine Arts Bohemian Homes Tour.
Casa Neverlandia hosts Austin Friends of Folk Art tour & mosaics demonstration.
Hands-on 6-week Art & Creativity Class at Neverland Designs Studio, Austin.
1997 “Magical Places for Children” slide presentation at IPA Conference, San Antonio TX.
1995 Keynote Speaker and Frank King Memorial Lecturer, International Play and Education Conference,
Wolverhampton, England.
“Magic in Children’s Environments” hands-on workshop, Putting Play First Conference, Belfast, N Ireland.
1994 “Beading Techniques and Recent Works” hands-on workshop, Austin Bead Society.
EDUCATION
2002-08 Studied metal sculpture and ceramics, Austin Community College, Austin TX.
1983 Studied play design under Dr. Joe Frost, head of the Early Childhood Education Department, University
of Texas at Austin and president of the Association for Childhood Education International.
1979 Studied jewelry making, Austin Community College, Austin TX.
1972 Apprenticed in the taller of Josep Grau-Garriga, “grandfather of modern tapestry”, Barcelona, Spain.
1971 Received BA in Architecture, with minor in Fine Arts, Rice University, Houston TX.